On December 8, 2009, I disembarked from the last in a series of flights that left south Florida several days before and stepped into Sydney’s Kingsford Smith airport. Harry and Maz were waiting for me when I cleared customs. They had a new Australian cell phone for me.
During the Sydney portion of the Fleetwood Mac tour, I was to stay at Vicki’s house in Epping, a suburb outside of Sydney. Vicki was still in Europe, finishing the medical certification program that so conveniently placed her in England during the European Fleetwood Mac tour earlier in the year. Vicki’s husband, Rob, was expecting my arrival, but he was working at his office when I turned up on the doorstep that morning. The scene developed into Harry, Maz, me, and all of my luggage—large backpack and supplementary carry-on backpack—arriving to be greeted by Vicki and Rob’s Asian housekeeper, a man to whom Harry and Maz gave the affectionate and perhaps slightly politically incorrect nickname “Mr. Miyagi.”
Mr. Miyagi was not a native English speaker. Although Rob had presumably explained to him that I would be alighting at the house to stay for a while, Harry, Maz, and I detected that something had been lost in the translation. We three, in our variants of the English language, tried to explain the purpose for our arrival, and encouraged Mr. Miyagi to call Rob at his office to confirm our story. Mr. Miyagi called Rob, said, in his own accent, “There are three people here that want to come in the house.” Pause. Mr. Miyagi reports, “He said no.” I have been on airplanes for over 20 hours, across my country and the entire Pacific Ocean, to get to this house. When the moment of absurdity passed and our stunned faces regained some expression, Harry foraged through his cell phone directory and called Rob himself. The slightly truncated version of what could become a protracted explanation is that Vicki, still in Europe, had hired a yard service to work on some trees in the yard. When Rob heard Mr. Miyagi report that three people at the door wanted to come into the house, what he heard was, “There are *tree* people here, and they want to come into the house.” Harry, Maz, and I, unlike the tree people, were most welcome.
Harry and Maz deposited me for a nap, planning to return that evening to collect me for the show. I had a second nap, standing up, in the middle of the concert during one of Lindsey (Buckingham)’s chronically extended speeches about how they are all working to overcome their emotional history and learn to just have *fun.* This might have been the show in which Stevie and John (McVie) attended to the activities of the lighting crew, up in the rafters, while Lindsey spoke. The show when Stevie, out of the spotlight, propped her leg on the drum kit and stretched out her calves during Lindsey’s first speech of the night was a classic episode from earlier on the American tour. Moving along in Sydney, I had quite a nice experience mildly hallucinating due to exhaustion and mesmerization during “Gold Dust Woman” but otherwise managed to remain conscious for the remainder of the concert.
At the end of the show, someone in the audience wanted to give Stevie flowers. Lindsey saw this and retrieved the flowers for her. She seemed pleasantly surprised and thanked him sincerely, which prompted him to cast around for more flowers to retrieve and present to her. Upon receiving the second bundle of flowers, courtesy of Lindsey, Stevie offered the first batch back to Lindsey, presumably so that he would have flowers, too. Watching this scene was like watching school children try to get along. I found it endearing and added it to my mental list of amusing moments, another episode in the continuing character play.
After the concert, Maz declared that I looked “shattered” (exhausted), and she and Harry drove me home, feeding me Tim Tams on the way. I was in better shape for the second Sydney concert the following night, and we learned from Maz’s friends what comedy and drama we had missed the night before because of our early departure from the scene.
Maz’s friends had met Stevie. They had been idling in the back of the arena when Stevie’s car drove out, backed up, and stopped so that Stevie could get out and talk to a wheelchair-bound boy that had been at the show. Stevie then talked to the friends. All is well in this story thus far. After a happy conversation, one of the friends, the one with a larger bosom, shyly held her concert ticket to her chest and asked Stevie to sign her ticket. In the heavier Australian accents, “ticket” can sound like “teekt.” Therefore, what to an Australian sounds like, “Stevie, will you sign my ticket?” to Stevie, an American, sounded like, “Stevie, will you sign my t***?” They say Stevie’s expression dropped; she went from smiling to a look of disbelief and confusion, perhaps quickly devising an exit strategy. The woman understood what had happened and annunciated more clearly while holding out her ticket. Stevie reportedly said something like, “Oh! Your ticket! Of course.” I imagine she experienced perplexity similar to our incident in Vicki and Rob’s driveway that morning when informed that we, the tree people, could not enter the house. Maz, meanwhile, found the story of the boy in the wheelchair inspirational, and announced her idea to beat Harry up a bit and wheel him around after the second night’s show.
By this time in the year, I had an excellent attendance record at the Fleetwood Mac shows. I do not doubt that other people would best me on an attendance roster, if such a roster were to be made, which would be ridiculous, because this business of concert-going is never about the numbers. I do doubt that anyone could have a finer time with more interesting people, however. Near the end of the second Sydney show, Lindsey, long accustomed to my presence, asked me, “Are you coming to Perth?” I didn’t see how I could avoid going at that point. The offer of a ride would have been welcomed, but I was pleased enough to continue the journey by my own transportation schemes.
First, however, I enjoyed a day trip to the Blue Mountains with Harry, Maz, and Maz’s nephew Cory. Somewhere in the Blue Mountains, among the scenic overlooks, is Landslide Lookout, marked by a classic wooden sign that I am fairly certain was public domain. Maz was busy giving Harry and Cory instruction on how to detach the sign from its post and maneuver it into their rental car as I asked, “Isn’t that your nation’s property?” “It’s rightful place is in my home,” Maz replied. I helped push the back seat down and volunteered that if we all hunched over for the ride home, the sign would, in fact, fit into the car.
This sign remains in its original location.
It would not satisfactorily fit into the car.